![]() ![]() ![]() 89–111.Īnd for a thorough study of Austen’s relation to other fiction, see Mary Waldron, Jane Austen and the Fiction of Her Time (Cambridge: Cambridge UP, 1999), pp. ![]() 57–126 for the setting, real and fictive of Northanger Abbey.įor another treatment of the various frames of the novel, see Katrin Burlin, “The Four Fictions of Northanger Abbey,” in John Halperin, ed., Jane Austen, Bicentenary Essays (Cambridge: Cambridge UP, 1975), pp. See Janine Barchas, Matters of Fact in Jane Austen’s Fiction (Baltimore: Johns Hopkins UP, 2012), pp. Tara Ghoshal Wallace, Jane Austen and Narrative Authority (London: St. 131–6, Northanger Abbey is composed of the constant opposition of authentic and inauthentic interpretations within its many nested fictions. See the introduction to Stephen Marcus’s edition of Dashiell Hammett’s stories, The Continental Op (New York: Vintage, 1974).Īs Jillian Heydt-Stephenson points out in Austen’s Unbecoming Conjunctions (New York: Palgrave, 2005), pp. ![]()
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